"...one cannot bathe twice in the same river
because already, in her inmost recesses, the
human being shares the destiny of flowing
water ... a being dedicated to water is a being
in flux. She dies every minute; something of her
substance is constantly falling away."
~Gaston Bachelard, Water and Dreams
because already, in her inmost recesses, the
human being shares the destiny of flowing
water ... a being dedicated to water is a being
in flux. She dies every minute; something of her
substance is constantly falling away."
~Gaston Bachelard, Water and Dreams
Jayne Marie Ollin
b. 1.9.1956 Philadelphia Pennsylvannia
blood...
I have lived primarily in Vermont since 1980, but, in my heart, SE Pa., will always be home. There is something about the land, the people, the city, the history that is in my blood. My partner and I often dream of moving back, but admittedly, we are among the flocks of climate refugees now, having witnessed the impacts of global warming first hand, wintering at the southern tip of NJ the last 16 years. Flooding is the new normal, along with extreme heat, seawater infiltrating wells along the coast. The rational choice, to nurture the roots we put down in New England 40 years ago.
As to my work, it reflects everywhere that I have lived, studied, struggled to make ends meet, survived poverty and the trauma of domestic violence, and also, the struggles of the world that I can't tune out, but can find some peace when I can make a painting about it.
It's just my opinion, but I believe Art is no different than astrology, or philosophy, or religion, or even science for that matter. Whatever we say about it, or about the artist, will always be partially true, and the rest subjective at best. Long before we get to college, who we are and why we make art or invent things, or try to heal people, has already been pretty much determined. Kindergarten was my first art school, but I had already, at the age of four, been known as an artist to my family, because if there was a pencil within reach I'd be drawing on something. And, I was practical about it. Spit was the most accessible medium for pigment. My first abstract was created in kindergarten class; Nixon and Kennedy portraits in "red and blue." Colored pencils distributed for some academic lesson transformed into a painting. Ms. Valentine's pleasant surprise, only added to my developing artist ego. I may have invented the first water color pencils...
water...
Water finds its own way, often in spite of our efforts to control it. It has always been my teacher; alluring and demanding. Mediums that require water challenge me to reconcile my human need to be in control simultaneous to my need for spontaneity and experimentation. When I can manage that dynamic there is a symbiotic relationship that culminates in nothing short of a birth; an image with agency and identity, a new Self outside my self. Even when the image fails to participate, or I lack the skill to negotiate, the act of painting alone brings me to a rare sense of peace. It is where time stands still and the problems of the world, or my world, cease to exist. At the same time, I paint to resolve the violence and hate around us, that painting somehow transforms that, as in the painting of the rose cross. The doom and gloom of the early days of covid, the anger that was spilling out of so many, the hoarding that took place. All I could do was reach for hues of violet, pink, golds and greens. It created itself; hope out of pain. The symbol of the rose cross one that is found in religions and cosmologies world wide.
I have worn many hats in my life. A few years after Art School/s I became a mother, and then, a single mother. Having to choose between full time painting and providing for my children financially, I channeled my creative energy into developing a line of herbal formulas, founding an herbal products company in rural Vermont, and a practice in holistic healing, homeopathy, Jungian Psychology/Humanistic Astrology. But children are natural artists, so studio time was always a priority, and when not in our corners, painting, there were the organic, traditional art forms inspired by holidays and the changing seasons. What at first felt like a fork in the road – making art or making money – was actually a merging of creative disciplines that fed each other, and my family. My daughter, Nakima Ollin, emerged at an early age, as a gifted artist and went on to surpass me by leaps and bounds in her sense of color, proportion, discipline and genius. And, became "known" at least for a time, in some places.
soul...
Speaking more intimately: painters are aware of the importance of darkness, of shadows, along with light. For myself this speaks to an existential reality; unavoidable suffering takes place alongside happiness and joy. Embracing the essential relationship between suffering and joy, is, I believe what truly frees us from the prison of mediocrity; where only a lack of imagination keeps the door locked from the inside.
I learned in a humanities course that children whose curriculum's included art were profoundly more empathic than those who lacked that opportunity. I don’t recall the theory, but my guess would be that through creating we can connect with ourselves fully and intimately. And, through that connection, find love for ourselves in our extremes of shadows, of lightness, and therefore others.
A few words about one of my latest series, kiwi 1, 2, 3, and 4 (2022). I have never met a kiwi nor have I been to New Zealand. Supposedly flightless, she appeared through a collection of water molecules, between a double paned window in the attic of our winter home, at the southernmost tip of New Jersey. A point of land world renowned for its spring and fall migrations of birds and butterflies, making their way north or south. For myself, she is a reminder that although our days on earth are numbered, given climate change, droughts, fires, floods, habitat destruction and wars, and our own mortality, there are ancient truths and laws of existence that go far beyond the limits of linear time, of our conscious minds, where creative expression through imagination might be our saving grace, and lead us into new dimensions of thought.
b. 1.9.1956 Philadelphia Pennsylvannia
blood...
I have lived primarily in Vermont since 1980, but, in my heart, SE Pa., will always be home. There is something about the land, the people, the city, the history that is in my blood. My partner and I often dream of moving back, but admittedly, we are among the flocks of climate refugees now, having witnessed the impacts of global warming first hand, wintering at the southern tip of NJ the last 16 years. Flooding is the new normal, along with extreme heat, seawater infiltrating wells along the coast. The rational choice, to nurture the roots we put down in New England 40 years ago.
As to my work, it reflects everywhere that I have lived, studied, struggled to make ends meet, survived poverty and the trauma of domestic violence, and also, the struggles of the world that I can't tune out, but can find some peace when I can make a painting about it.
It's just my opinion, but I believe Art is no different than astrology, or philosophy, or religion, or even science for that matter. Whatever we say about it, or about the artist, will always be partially true, and the rest subjective at best. Long before we get to college, who we are and why we make art or invent things, or try to heal people, has already been pretty much determined. Kindergarten was my first art school, but I had already, at the age of four, been known as an artist to my family, because if there was a pencil within reach I'd be drawing on something. And, I was practical about it. Spit was the most accessible medium for pigment. My first abstract was created in kindergarten class; Nixon and Kennedy portraits in "red and blue." Colored pencils distributed for some academic lesson transformed into a painting. Ms. Valentine's pleasant surprise, only added to my developing artist ego. I may have invented the first water color pencils...
water...
Water finds its own way, often in spite of our efforts to control it. It has always been my teacher; alluring and demanding. Mediums that require water challenge me to reconcile my human need to be in control simultaneous to my need for spontaneity and experimentation. When I can manage that dynamic there is a symbiotic relationship that culminates in nothing short of a birth; an image with agency and identity, a new Self outside my self. Even when the image fails to participate, or I lack the skill to negotiate, the act of painting alone brings me to a rare sense of peace. It is where time stands still and the problems of the world, or my world, cease to exist. At the same time, I paint to resolve the violence and hate around us, that painting somehow transforms that, as in the painting of the rose cross. The doom and gloom of the early days of covid, the anger that was spilling out of so many, the hoarding that took place. All I could do was reach for hues of violet, pink, golds and greens. It created itself; hope out of pain. The symbol of the rose cross one that is found in religions and cosmologies world wide.
I have worn many hats in my life. A few years after Art School/s I became a mother, and then, a single mother. Having to choose between full time painting and providing for my children financially, I channeled my creative energy into developing a line of herbal formulas, founding an herbal products company in rural Vermont, and a practice in holistic healing, homeopathy, Jungian Psychology/Humanistic Astrology. But children are natural artists, so studio time was always a priority, and when not in our corners, painting, there were the organic, traditional art forms inspired by holidays and the changing seasons. What at first felt like a fork in the road – making art or making money – was actually a merging of creative disciplines that fed each other, and my family. My daughter, Nakima Ollin, emerged at an early age, as a gifted artist and went on to surpass me by leaps and bounds in her sense of color, proportion, discipline and genius. And, became "known" at least for a time, in some places.
soul...
Speaking more intimately: painters are aware of the importance of darkness, of shadows, along with light. For myself this speaks to an existential reality; unavoidable suffering takes place alongside happiness and joy. Embracing the essential relationship between suffering and joy, is, I believe what truly frees us from the prison of mediocrity; where only a lack of imagination keeps the door locked from the inside.
I learned in a humanities course that children whose curriculum's included art were profoundly more empathic than those who lacked that opportunity. I don’t recall the theory, but my guess would be that through creating we can connect with ourselves fully and intimately. And, through that connection, find love for ourselves in our extremes of shadows, of lightness, and therefore others.
A few words about one of my latest series, kiwi 1, 2, 3, and 4 (2022). I have never met a kiwi nor have I been to New Zealand. Supposedly flightless, she appeared through a collection of water molecules, between a double paned window in the attic of our winter home, at the southernmost tip of New Jersey. A point of land world renowned for its spring and fall migrations of birds and butterflies, making their way north or south. For myself, she is a reminder that although our days on earth are numbered, given climate change, droughts, fires, floods, habitat destruction and wars, and our own mortality, there are ancient truths and laws of existence that go far beyond the limits of linear time, of our conscious minds, where creative expression through imagination might be our saving grace, and lead us into new dimensions of thought.
2024
Absolutely Abstract. July 2024 Juried Group Show
Philadelphia Sketch Club
235 Camac Street. Philadelphia, PA 19107
https://sketchclub.org/absolutely-abstract-2024/#gallery
Works exhibited. self-portrait with chickadee and vortex 2
Taravana Gallery. "ABSTRACTS" Juried Online Show. February 6 - March 6 2024
AVA GALLERY, LEBANON NEW HAMPSHIRE:
In Collaboration with West Central Behavioral Health May 3-July 6, 2024 | Opening reception and event: Friday, May 3, 5-7 pm
2023
ART STUDIO Hamptons Gallery. Westhampton Beach NY
https://www.artworkarchive.com/profile/art_studio_hamptons_gallery/artist/jayne-ollin
ART STUDIO Hamptons Gallery. Westhampton Beach NY
50 SHADES OF BLUE - AUGUST 4 -27 2023 Juried Show
https://www.artworkarchive.com/profile/art_studio_hamptons_gallery/exhibition/50-shades-of-blue
Ten Below Gallery
Southwest Harbor Maine
2022
Philadelphia Water Color Society Members Show
https://pwcs.wildapricot.org/exhibitions/2022-members-show#gallery
Prince Street Gallery. NY. 14th Juried Annual Show.
August 2 2022
https://princestreetgallery.com/
The Store, South West Harbor Maine.
https://www.facebook.com/TheStoreinSWH/
2021
Arts Illiana Gallery, Terre Haute Indiana. MASKS Juried Group Show. March 5 June 5.
http://artsilliana.com/Gallery
2020
Gallery Z, Lowell Ma. 'Ice and Snow' Juried Group Exhibit. March/April
Sacramento Fine Arts Center. 'Abstract' Juried Group Show June
Wilton Historical Society Annual Arts/Artisan Show. Nov 5 - Dec 5.
The Store. Gallery. South West Harbor, Me. 2D and 3D bowls / abstracts / prints
2019
2019 35th Annual Juried Art/Artisen Show, Wilton Ct. Nov. 7,8,9.
2019 SK Gallery, NY., The Kristallnacht Exhibit. Juried Group Show. November 16th - December 17th
2018
2018 Swarthmore Friends of Arts. Annual Group Show, May
2018 Cerulean Arts' 6th Annual Juried Exhibition, Philadelphia Pa. https://www.whatsartblog.com/single-post/2018/07/21/Humans-and-Animals-and-Environs-Oh-My-Cerulean-Arts-6th-Annual-Juried-Exhibition
2018 Fall West Hartford Art League: A Sense of Place.
Group Show.
2017
2017 Wilton Historical Society, Art and Artisan Annual Exhibit, Wilton Ct.
2017 Gallery Z Artists Coop, Lowell Ma., “Looking for America” Juried Group Show
2016
2016 Studio Place Arts, Barre Vt. “Round and Around” Group Show
2016 Wilton Historical Society, Art and Artisan Annual Exhibit. Wilton Ct.
Past
EXHIBITS/Gallery's Etc.
1976 The Bubbling Well Gallery, Cape May New Jersey: Solo Exhibit. Lithographs "Inner Spaces"
1980 Hopkins Center for the Arts, Hanover NH Annual Group Exhibit
2007, 2010 Crow Creek Gallery, Cape May CH NJ 08210.
2011 Beacon Art Shortwave Gallery, Stone Harbor NJ. (Bowls)
2014 Beacon Art Shortwave Gallery, Stone Harbor NJ. (Bowls)
Work in Private Collections
Allepo
Aftermath
Abstract Bowls
Congress of Crows 1 and 2
Kiwi
Untitled Abstracts
EDUCATION
MLAS/MS
THOMAS EDISON STATE COLLEGE, Princeton NJ 2017
Concentrations: Depth Psychology/Professional Counseling
Thesis: OASIS OF DISCONTENT: The Sociology of Addiction in Modern American Culture
Arizona State College System MS Professional Counseling/Addictions Counseling 2014-2016
DIP SNHS, LONDON, 2015 Homeopathy
BFA
VERMONT COLLEGE 2005: HUMANITIES/DEPTH PSYCHOLOGY
Theses: THE EMERGENCE OF THE FEMININE IN PSYCHOANALYTIC THOUGHT 2004
THE ALCHEMIST WITHIN 2005
AA
COMMUNITY COLLEGE OF VERMONT 2014. HUMANITIES/HUMAN SERVICES AA
STUDIO WORK
MUSEUM SCHOOL OF FINE ARTS, HOUSTON TX 1975-1977
Concentrations: Printmaking/Life Drawing
MUSEUM SCHOOL OF FINE ARTS, BOSTON MA 1974 Summer Session
Sculpture/Illustration
HS
Swarthmore Pennsylvannia
Major: 2-D Painting and Illustration 1971-1973
PROFESSIONAL EXPERIENCE
Owner/Founder/Formulator Lakon Herbals LLC (www.lakonherbals.com) 1986 – present
Private Practice: Herbal/Holistic Health Care Consultations 1985 – Present
Private Practice: Depth Psychotherapy/Astrology 1980 -present (www.depthastrologer.com).
Freelance Writer 1985-Present
Vermont Women 1986
Freelance Illustration Houston Texas 1974-1979
Nuclear Underground News
The Rag
https://www.youtube.com/watch?v=ugYctsweT4Q&t=670s
North Beach Leather
Absolutely Abstract. July 2024 Juried Group Show
Philadelphia Sketch Club
235 Camac Street. Philadelphia, PA 19107
https://sketchclub.org/absolutely-abstract-2024/#gallery
Works exhibited. self-portrait with chickadee and vortex 2
Taravana Gallery. "ABSTRACTS" Juried Online Show. February 6 - March 6 2024
AVA GALLERY, LEBANON NEW HAMPSHIRE:
In Collaboration with West Central Behavioral Health May 3-July 6, 2024 | Opening reception and event: Friday, May 3, 5-7 pm
2023
ART STUDIO Hamptons Gallery. Westhampton Beach NY
https://www.artworkarchive.com/profile/art_studio_hamptons_gallery/artist/jayne-ollin
ART STUDIO Hamptons Gallery. Westhampton Beach NY
50 SHADES OF BLUE - AUGUST 4 -27 2023 Juried Show
https://www.artworkarchive.com/profile/art_studio_hamptons_gallery/exhibition/50-shades-of-blue
Ten Below Gallery
Southwest Harbor Maine
2022
Philadelphia Water Color Society Members Show
https://pwcs.wildapricot.org/exhibitions/2022-members-show#gallery
Prince Street Gallery. NY. 14th Juried Annual Show.
August 2 2022
https://princestreetgallery.com/
The Store, South West Harbor Maine.
https://www.facebook.com/TheStoreinSWH/
2021
Arts Illiana Gallery, Terre Haute Indiana. MASKS Juried Group Show. March 5 June 5.
http://artsilliana.com/Gallery
2020
Gallery Z, Lowell Ma. 'Ice and Snow' Juried Group Exhibit. March/April
Sacramento Fine Arts Center. 'Abstract' Juried Group Show June
Wilton Historical Society Annual Arts/Artisan Show. Nov 5 - Dec 5.
The Store. Gallery. South West Harbor, Me. 2D and 3D bowls / abstracts / prints
2019
2019 35th Annual Juried Art/Artisen Show, Wilton Ct. Nov. 7,8,9.
2019 SK Gallery, NY., The Kristallnacht Exhibit. Juried Group Show. November 16th - December 17th
2018
2018 Swarthmore Friends of Arts. Annual Group Show, May
2018 Cerulean Arts' 6th Annual Juried Exhibition, Philadelphia Pa. https://www.whatsartblog.com/single-post/2018/07/21/Humans-and-Animals-and-Environs-Oh-My-Cerulean-Arts-6th-Annual-Juried-Exhibition
2018 Fall West Hartford Art League: A Sense of Place.
Group Show.
2017
2017 Wilton Historical Society, Art and Artisan Annual Exhibit, Wilton Ct.
2017 Gallery Z Artists Coop, Lowell Ma., “Looking for America” Juried Group Show
2016
2016 Studio Place Arts, Barre Vt. “Round and Around” Group Show
2016 Wilton Historical Society, Art and Artisan Annual Exhibit. Wilton Ct.
Past
EXHIBITS/Gallery's Etc.
1976 The Bubbling Well Gallery, Cape May New Jersey: Solo Exhibit. Lithographs "Inner Spaces"
1980 Hopkins Center for the Arts, Hanover NH Annual Group Exhibit
2007, 2010 Crow Creek Gallery, Cape May CH NJ 08210.
2011 Beacon Art Shortwave Gallery, Stone Harbor NJ. (Bowls)
2014 Beacon Art Shortwave Gallery, Stone Harbor NJ. (Bowls)
Work in Private Collections
Allepo
Aftermath
Abstract Bowls
Congress of Crows 1 and 2
Kiwi
Untitled Abstracts
EDUCATION
MLAS/MS
THOMAS EDISON STATE COLLEGE, Princeton NJ 2017
Concentrations: Depth Psychology/Professional Counseling
Thesis: OASIS OF DISCONTENT: The Sociology of Addiction in Modern American Culture
Arizona State College System MS Professional Counseling/Addictions Counseling 2014-2016
DIP SNHS, LONDON, 2015 Homeopathy
BFA
VERMONT COLLEGE 2005: HUMANITIES/DEPTH PSYCHOLOGY
Theses: THE EMERGENCE OF THE FEMININE IN PSYCHOANALYTIC THOUGHT 2004
THE ALCHEMIST WITHIN 2005
AA
COMMUNITY COLLEGE OF VERMONT 2014. HUMANITIES/HUMAN SERVICES AA
STUDIO WORK
MUSEUM SCHOOL OF FINE ARTS, HOUSTON TX 1975-1977
Concentrations: Printmaking/Life Drawing
MUSEUM SCHOOL OF FINE ARTS, BOSTON MA 1974 Summer Session
Sculpture/Illustration
HS
Swarthmore Pennsylvannia
Major: 2-D Painting and Illustration 1971-1973
PROFESSIONAL EXPERIENCE
Owner/Founder/Formulator Lakon Herbals LLC (www.lakonherbals.com) 1986 – present
Private Practice: Herbal/Holistic Health Care Consultations 1985 – Present
Private Practice: Depth Psychotherapy/Astrology 1980 -present (www.depthastrologer.com).
Freelance Writer 1985-Present
Vermont Women 1986
Freelance Illustration Houston Texas 1974-1979
Nuclear Underground News
The Rag
https://www.youtube.com/watch?v=ugYctsweT4Q&t=670s
North Beach Leather
